After a solid stint on Netflix’s Top 10 movie list, ‘Godzilla Minus One’ has been replaced by a new contender: ‘Under Paris’. This French film presents a unique twist on the monster genre, centering around a young climate activist’s mission to save a shark in the Seine. Despite its intriguing premise, the film’s mature rating and gory elements suggest it may not be just a feel-good story.
Critically, ‘Under Paris’ has garnered an 80% rating on Rotten Tomatoes from 10 reviews. However, audience reception is less favorable, with user scores averaging 39%. In contrast, ‘Godzilla Minus One’ boasts impressive dual scores of 98% from both critics and audiences.
Netflix’s Top 10 often features a mix of licensed films and originals, with varying expectations for performance. While some Netflix originals receive sequels, others, like ‘Red Notice’ and ‘The Gray Man,’ await follow-ups despite initial promises. ‘Under Paris’ being an original, its success might pave the way for potential sequels, echoing the legacy of shark films from ‘Jaws’ to ‘The Meg’. A #1 debut signifies strong viewership, making it the most-watched movie in America currently.
The current Top 10 list includes a variety of licensed films like ‘300: Rise of an Empire,’ ‘The LEGO Movie,’ ‘Home,’ ‘Divergent,’ ‘A Million Ways to Die in the West,’ ‘Shrek,’ and ‘The Mario Bros. Movie,’ the latter maintaining a consistent presence since December 2023. As for my viewing plans, I’m considering watching ‘Under Paris,’ but ‘Godzilla Minus One’ remains a favorite.
As anticipated, ‘Under Paris’ did not retain its top spot for long. It has now been surpassed by Glen Powell’s ‘Hit Man,’ a Netflix original directed by Richard Linklater of ‘School of Rock’ and ‘Dazed and Confused’ fame. ‘Hit Man’ has received rave reviews, holding a 97% critic rating and a 95% audience score on Rotten Tomatoes.
The film’s synopsis is compelling: Glen Powell plays Gary Johnson, a professor who doubles as a fake hit man for the New Orleans Police Department. His talent for adopting various personas leads him into morally ambiguous situations, especially when he becomes involved with Madison (Adria Arjona), a potential criminal. Their ensuing romance triggers a series of deceptive and high-stakes events.
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